Skip to content

Day: December 16, 2017

An In-Depth And Formal Reply To An Actual Vegas Performer

Posted in Uncategorized

Yesterday, someone left a comment on one of my Handbook For Mortals recaps.

Actually, I work in a Vegas show on the strip and yes this kind of stuff does happen. Automation is a fairly new thing (last 15 years) and doesn’t work properly all the time. Also, performers in Cirque and Cirque type shows get injured all the time. If you think an investigation of that kind would happen every time there was a serious injury well we would be doing that every day. That is why we get paid well. Most of us are athletes, a lot of us Olympic athletes and we know what we signed up for. Injuries happen during the shows all the time. We are doing crazy stuff and it’s dangerous that’s why people pay a lot of money to see it. People get injured during the show and you don’t even know and we keep going. We don’t stop the show. The one and only time someone fell to their death was actually during KA. DURING A ACTUAL PERFORMANCE IN FRONT OF A AUDIENCE. They witnessed it even…I think the show was back in a day or so. Accidents that happen during rehearsal that only leads to injury an injury like this, wouldn’t even stop the show that night. The show must go one is a real thing in our world.

I have also fallen asleep in my theater before the doors. I find it odd that you tear apart something that you don’t know. You have never worked at a Vegas show (you admit that when you talk about the falling asleep in the theatre scene) yet you INSIST that’s not how this works.

Catwalks lead to platforms in these types of theaters. Perhaps, she should have described it better since most of you wouldn’t know this, but I understood exactly what she’s talking about.

If I remember reading somewhere, she lives in Vegas and works in entertainment. They say write what you know. Maybe the things she wrote are more rooted in reality than you know.

I have also run into Carrot Top (not with Wayne Newton though) in that very mall.

I don’t think this book is the greatest book of all time and I don’t think I’ve ever heard Lani compare her book to THUG. I think the story is overall fun and while if you want to run a fine tooth comb over it, you will find mistakes. You can do that with almost anything. Huge budget movies that cost over 100 million dollars have some errors. There are websites dedicated to finding them. Though those websites are more like a scavenger hunt fun type of find the error. Not a tear someone apart, the way you have engaged in here. All of you really. I bet most of you who are commenting and putting her and the book down have never even put out a book. I wonder what we could all say about your own book. Some of what Jenny says is funny but if you were actually being objective here you would point out the good stuff too. There is lots of it, but your whole point is to bring someone and their art down as much as possible. And you are criticizing her for being some kind of bad person?
You should really try checking your own moral compass here.

I knew from the moment I read, “I have also run into Carrot Top” that this Lani Sarem’s sock puppet account. First of all, the authorial voice is the same with which she wrote Handbook For Mortals. Secondly, who the fuck brags about running into Carrot Top or knowing Carrot Top or just basically talks about Carrot Top as much as she does? But Tez, our awesome Trout Nation comment moderator checked out the domain behind the commenter’s email address, readervillage, and found that it’s registered to…
A DNS look up listing Lani Sarem as admin and billing contact
I’ve redacted some info because we don’t dox around these here parts.
Isn’t it super weird that someone who has an email address registered to a domain owned by Lani Sarem just so happened to stumble across my posts about Handbook For Mortals and decided they needed to defend the book? What makes it even more super weird is that readervillage isn’t even a website. They do have a Twitter account, though, and in the bio they explain that they’re just here to help you find a good book:
If you need to a place to turn for accurate helpful advice. It takes a Village. Reader Village.  coming soon.
Now, I’m not sure how soon readervillage.com is coming, considering if you click that link it’s going to take you to a page where GoDaddy informs you that the domain has expired. But I’m glad that a service exists to give me “accurate helpful advice” about what book to buy. Judging by the fact that every single tweet on the account seems to be shilling Lani Sarem’s appearances, the book must be some kind of huge phenomenon!
What I’m saying here is that it might be a total coincidence that a commenter with an email address from an expired domain for some kind of shady backdoor PR machine that only promotes Handbook For Mortals  and which is owned by Lani Sarem just happened to show up to call me and everyone in the comments section a bad person and defend the books. Oh, no, sorry. What I meant to say is that this is absolutely one hundred percent Lani Sarem.
I originally made a glib remark to this “anonymous commenter”, but knowing now that I’m dealing with a totally legit New York Times bestselling author, I better put on my Sunday britches and give this a real response.
Actually, I work in a Vegas show on the strip and yes this kind of stuff does happen. Automation is a fairly new thing (last 15 years) and doesn’t work properly all the time.
False. The show that Zade’s diving act is inspired by, Cirque Du Soleil’s O, opened in 1998 with state-of-the-art automation. Earlier than that, EFX opened in 1995, featuring, you guessed it, fully automated set pieces and animatronics. Cirque Du Soleil’s Mystére opened in 1993 and featured a revolving stage and automated lifts. These are just shows in Las Vegas. By the early 1980s, Broadway shows like Cats and Les Miserables already featured automated stage pieces. Automation isn’t new to theatre, in Vegas or anywhere else. And while nothing works all the time, no one in the comments or the recap suggested that it did, or that accidents didn’t happen because of it.
Also, performers in Cirque and Cirque type shows get injured all the time. If you think an investigation of that kind would happen every time there was a serious injury well we would be doing that every day. That is why we get paid well. Most of us are athletes, a lot of us Olympic athletes and we know what we signed up for. Injuries happen during the shows all the time. We are doing crazy stuff and it’s dangerous that’s why people pay a lot of money to see it.
This is the part where it really becomes embarrassing for you, Lani. Please do not come to my blog pretending to be an Olympic athlete. All I’m going to do is cackle my way straight to hell. And while yes, performers in Cirque-esque shows do get injured frequently, that doesn’t mean they’re not investigated by OSHA. They are required by law to report serious injuries. That’s how there are statistics that back up your “all the time” assertion. There are also OSHA inspections of major Las Vegas shows and investigations when something goes seriously wrong. Your anecdotes don’t invalidate government regulation and facts that anyone can just google for free. Of course, nothing matches the real-life experiences of a make-believe Olympian.
People get injured during the show and you don’t even know and we keep going. We don’t stop the show.
Except for when they do. Like in 2007 when two acrobats performing in Zumanity fell during an aerial act and the show had to be stopped to remove them on stretchers. While the show did later resume in front of the audience, it did stop, to the point that tickets were refunded to over a thousand audience members because of the delay.
The one and only time someone fell to their death was actually during KA. DURING A ACTUAL PERFORMANCE IN FRONT OF A AUDIENCE. They witnessed it even…I think the show was back in a day or so.
You think wrong. Sarah Guillot-Guyard died in that accident on June 29, and Ka was closed indefinitely pending investigation. You know, those things that don’t happen because the performance is so important that it overrides state and federal law? Yeah, one of those imaginary things that we non-Vegas plebs foolishly believe exist shut down Ka until July 16th, and the show didn’t return to a full schedule until July 23, almost a month after the initial accident. And that investigation? It didn’t close until November.
I find it odd that you tear apart something that you don’t know. You have never worked at a Vegas show (you admit that when you talk about the falling asleep in the theatre scene) yet you INSIST that’s not how this works.
I find it odd that you wrote a book and INSIST that everyone in the industry bend to you because you think you know better than those of us who’ve worked in it for decades. Gosh, I can’t even imagine your frustration, with people talking about stuff they don’t know!
Except every criticism I make in one of these recaps is something I actually research. Which was how I knew about Ka and Zumanity and how OSHA conducts their investigations of stage shows, specifically in Nevada. Because I do my homework before I jump into something. You probably should have done that before you tried to pull your stunt. Or create an untraceable sock puppet.
Catwalks lead to platforms in these types of theaters. Perhaps, she should have described it better since most of you wouldn’t know this, but I understood exactly what she’s talking about.
I don’t recall having an issue with catwalks leading to platforms, but I’d guess that you knew what she was talking about because you are she.
If I remember reading somewhere, she lives in Vegas and works in entertainment. They say write what you know. Maybe the things she wrote are more rooted in reality than you know.
The fact that you took so many pains to try and cover the fact that you are Lani Sarem talking about yourself in the third person makes this so much more cringey than it would have been otherwise.

I have also run into Carrot Top (not with Wayne Newton though) in that very mall.

This is how I knew it was you, by the way. You’ve name dropped Carrot Top in more than one interview. We get it. You know Carrot Top. But the point wasn’t whether or not he’d be there. The point was whether or not Carrot Top and Wayne Newton would be strolling around a mall together after a publicized appearance. And I still call all the bullshit on that one.

I don’t think this book is the greatest book of all time and I don’t think I’ve ever heard Lani compare her book to THUG.

We’re in agreement on that. But while you didn’t compare your book to The Hate U Give, you have mouthed off about its author more than once, telling readers at a signing that it’s “not my fault Angie is black,” and accusing her of jealousy in a Facebook post that God and everybody saw.

I thought it was a particularly nice touch that you asked to friend someone who said that The Hate U Give is only popular because it’s anti-white people.

 I think the story is overall fun and while if you want to run a fine tooth comb over it, you will find mistakes.

You do not need a fine-toothed comb to catch your mistakes. You could run a yard rake over this book and find the mistakes. You could run a combine harvester over this thing and find mistakes, and that’s because you thought you were smarter than anyone else in the industry, that you were going to be able to easily scam readers, retailers, publishers, and Hollywood to get the movie deal you dreamed of.

Huge budget movies that cost over 100 million dollars have some errors. There are websites dedicated to finding them. Though those websites are more like a scavenger hunt fun type of find the error. Not a tear someone apart, the way you have engaged in here.

The “tear someone apart” aspect you’re seeing here is because I don’t like con artists. I don’t like scammers, I don’t like people trying to cheat their way to the top of an industry that they don’t know anything about and frankly don’t belong in because they couldn’t be bothered to pay their dues and learn just like the rest of us. I’m tearing you apart, Lani, because I don’t respect con-artists who aren’t good at conning people.

I bet most of you who are commenting and putting her and the book down have never even put out a book.

This is an author’s blog. And many of the regular commenters are authors, themselves. You would be surprised at how many people here and elsewhere on the internet are critical of you and your book because we’ve written one ourselves.

I wonder what we could all say about your own book.

I wonder, too. Why don’t you head on over to Amazon and pick up my free book, The Boss? I mean, there are already 601 reviews for it and 60% of those are five stars, leaving it with an overall rating of four-and-a-half stars. In fact, most of my books are highly rated there, but I’m sure you could find all sorts of things wrong with it. Go ahead and leave the link to your review in the comments, I would love to get some tips from a real-life bestselling author.

Some of what Jenny says is funny but if you were actually being objective here you would point out the good stuff too. There is lots of it, but your whole point is to bring someone and their art down as much as possible.

First of all, everything I say is funny, because I’m fucking hilarious. And if I were being objective, I would still struggle to find anything good to point out about your book. It was clearly written as quickly as possible by someone who was more interested in grabbing fame than actually giving readers a decent story for the ludicrous price you were charging for it. I notice you’ve changed the price on Amazon, but when I bought the ebook, it was $9.99. You’ve admitted in interviews to selling the hardcover for $35.00 at conventions. And as for bringing down someone’s art, you published a book with a cover that literally steals another artist’s art.

And you are criticizing her for being some kind of bad person?

Yes. I am absolutely criticizing you for being a bad person. Because you are. Bad people tell endless lies to paint themselves as the victim of situations they caused through their own shadiness. Which is what you do. You scammed your way onto the bestseller list. You lied repeatedly about it. You changed your lies multiple times when you got caught. You wrote an op-ed for Rolling Stone and were the subject of a lengthy feature on Vulture yet you continue to tell people that you haven’t been given a chance to tell your story. You intentionally miscategorized your book as YA when it’s clearly not, simply to take advantage of a popular genre. You talked shit about the book industry, my industry, because your scheme unraveled, but somehow that’s our fault because we don’t understand how to run things as well as you do. When none of that turned in your favor, you blamed another author for your downfall, an author who did the work and got something she deserved. And now you’re here, lying yet again because you just can’t help yourself. Lies, lies, lies, upon lies and lies and lies. You are a liar.

You are an outsider who barged in and not only wanted instant glory but a complete overhaul of publishing to suit your goals. Are there issues in the industry? Yes. Were you the scam-artist savior we needed? No, and nobody fucking asked you for your opinion or your overpriced, under-edited dreck that you insist deserves a place beside legitimate books and legitimate authors.

The worst part about all of this? You think we’re dumb enough to believe you. You think we’re dumb enough not to see through your ineptitude.

You insult authors.

You insult readers.

You insult the entire publishing industry.

That’s why people don’t like you. You’re an egotistical, delusional liar who can’t even pull off a convincing sock puppet on the internet.

You should really try checking your own moral compass here.

Just checked. It’s pointing directly to the magnetic pole of fuck you and the pseudo-famous friends whose coattails you rode in on. You and your technicolor dream hair can stay the entire fuck away from my blog from now on.

PS. When you’re trying to stage a fake picture of your book in a bookstore, Sarem doesn’t fall alphabetically between Lowry and Lieu.