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A Kalamazoo Story

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Content Warning: Graphic description of a fentanyl overdose.

I get my lunch from the same deli every day. Today, I step up to the counter, look straight into the face of the nice guy who weighs my hot bar container Monday through Friday (unless I get a tuna salad sandwich that week) and, my voice shaking, I ask, “Do you have Narcan?”

He looks confused, probably because I’m way too intense. I know I’m too intense. I can feel it. I’m not masking. I’m not smiling. I’m not putting on the friendly Jenny affect. And I’m probably visibly trembling. “In the store. Do you have Narcan and do you know how to use it?”

He’s not sure. He doesn’t think they do.

Kalamazoo, Michigan, has a large homeless population. I say homeless, not houseless, because I interact with homeless people every day; they call themselves homeless. They erect their tents and string their tarps along the streets north of Kalamazoo Avenue, and along the Amtrak rails that run parallel to it. One such street on my daily commute has a high concentration of people living rough. People sleeping on the grass, urinating into bottles, defecating in the open. People fighting, screaming, talking to themselves or someone who isn’t there. Tired people. Worn down people. And in the middle of all of it, drugs.

I’m stopped at a red light when I see it happen. A man, white, probably in his forties but it’s difficult to tell, reels and staggers to the corner on the side of the cross street. He gets shorter mid-stride, slowly folding and listing sideways, hitting the ground as his companion tries futilely to stop him from falling. I can see from across the intersection that he’s seizing. I throw on my flashers and abandon my still-running car, door wide open. I thrust my arm out in the direction of the one-way traffic and shout “stop!” as I dart in front of the cars.

By the time I reach the man, there’s blood coming out of his eyes and nose. It trickles down his chin where it froths out of his mouth. His eyes are wide open, pupils a fixed pinpoint, and his body jerks with tonic/clonic spasms. He urinates on my shoes.

A couple of bystanders join us, and I ask, “Did anyone call 9-1-1?”

No one has. Despite the insistence of your MAGA cousin, homeless drug addicts do not, in fact, have free Obama phones. I left my phone in the car. I dash back to the other side of the intersection. A truck has pulled up behind me. The light is green. The driver revs the engine.

“There’s an emergency! Go around!” I yell at him, just as the call connects. The dispatcher thinks I’m screaming at him. I apologize and give him the details. He tells me that medics are on the way, and connects me to… someone else. It’s hard to hear because his companion, clearly under the influence as well, calls out to me, “He’s choking on his blood! He’s drowning in his blood!”

“Get him on his left side!” I shout over the noise of traffic and the truck driver leaning on his horn. The person on the call thinks I’m yelling at him. The truck driver revs the engine more aggressively and lets his foot off the brake, coming so close to my car’s bumper that a dime wouldn’t fit in the gap between.

A human being is convulsing on the sidewalk in clear view, in the middle of the afternoon, but the big truck doesn’t want to go around. The big truck shouldn’t be inconvenienced. The big truck doesn’t deserve to be inconvenienced. Big Truck damn sure shouldn’t be expected to help.

This is the moment that I realize: we’re in an emergency, and we are all alone. We’re surrounded by people and nobody is helping. And Big Truck is still revving his big engine.

“There is a man dying!” I scream at Big Truck. The person on the phone thinks I’m screaming at him. “Ma’am, you can’t yell like that!”

The person on the phone wants to know the man’s name. My fellow bystanders are a woman smoking a cigarette and a man in a memorial t-shirt. They’re both shaking their heads, talking about how sad it is. They know him. He was just at the gospel mission, they say. He had a nose bleed there. He wasn’t acting right.

“They kicked him out,” the woman says, flicking her cigarette.

“Is he breathing?” the person on the phone says. I see a police car approaching. They don’t have lights or siren on. I step into the street to wave them down. They drive past me and keep going. “He’s breathing.” How do I know he’s breathing? “I can hear him aspirating his vomit.” Every time he breathes out, blood and bile spray across my jeans. The person on the phone wants to know if the patient is diabetic. I hand the phone off to the woman with the cigarette; she knows his name, so she knows more than I do.

The man is still convulsing. It’s been at least four minutes. It’s felt much longer. Like we’re trapped in a painting of the moment, with hundreds of people passing by without really looking at us. A man with a plastic nametag on a lanyard gives us a wide berth as he passes, muttering a sheepish “excuse me,” on his way back to work. The scene of this man dying on the ground has made him embarrassed and uncomfortable.

We’re in front of a plasma donation center. I bolt to the door. “We need Narcan!” I tell the man who rushes out to intercept me.

“We don’t have that.” He shrugs apologetically and goes back inside. He’s done all he can do. Never mind that people frequently sell their plasma in order to make money for drugs that could very likely leave them choking on their own blood on the very same street corner. Never mind that to get to their door, I had to step over someone passed out, snoring, with a wad of dirty tinfoil clutched in their palm. Never mind that there’s a literal camping tent set up in their parking lot. Why would they have Narcan?

At the first siren, the companion vanishes. He was just pouring bottled water over the poor, overdosing man, anyway. I can see the blue police lights. He’s not seizing anymore. He’s gone limp, not blinking, but still breathing. I call his name and give him a shake. “Do you have anything in your pockets we need to get rid of? I’m going to go through your pockets, okay?”

“Don’t do that,” the man in the funeral t-shirt says, and points to the inside of his own elbow, fingers miming a syringe.

The cigarette woman agrees. “They’re going to take him to jail, anyway.”

The police are first on the scene. It’s an officer I know; he checks in on our business frequently, since the pedestrian mall is always dealing with some type of theft or vandalism.

“Did you give him Narcan?” he asks as I back up. He’s already got one out.

“They didn’t have any.” Cigarette woman gestures at the mission.

He does a double take. “The mission didn’t have any?”

The first dose doesn’t work.

More police arrive. They question us. They use a second Narcan. Then a third. That one works too well. Still disoriented, the man tries to stand up. He brushes off the officers trying to keep him seated.

“Please don’t fight,” I beg him. “Just sit down.”

The ambulance arrives. I give a police officer my statement. Cigarette lady and t-shirt man stand with me, and we watch the paramedics load the man into the back of the ambulance.

I stick out my hand awkwardly and introduce myself to my fellow bystanders. “Nice to meet you. Wish it could have been under better circumstances.”

Cigarette woman agrees and says, “And thanks for stopping. Usually, people don’t.”

Usually. It is usual for people to lie on the street, bleeding from every hole in their head. It is usual for people to walk past and do nothing.

I don’t know what to do. My body is vibrating with adrenaline. I get in the car and automatically drive back to work. I wash my hands, get some water, cry while my boss comforts me.

Then I go home and throw away my shoes.

As in any population, the homeless in Kalamazoo aren’t all drug users. One man I talk to often actively avoids the street I drive down. He’s clean. He doesn’t want to start using again, so he’s chosen a mostly solitary life, away from other street people. But the drugs are everywhere. Since I started working at the chocolate shop, I’ve stumbled across people making meth in the parking garage stairwell, people doing meth in the alley in broad daylight, and a woman strung out of her mind humping a turtle statue. An elderly woman clutching a crack pipe called me the n-word from her wheelchair. A man “Fenty-folded” in our recessed doorway for seventeen full minutes. We keep Narcan in the communal medicine cabinet.

Why don’t all of the businesses?

There was a proposed housing project in the works for years. The city bought manufactured pods based on a model that has been successful in other places. Plans fell apart when no neighborhood would consent to the presence of such a facility in their backyards. Now, people camp in the woods, along the river, and on those rundown city blocks, until the cops roust them and they move to another location.

They’re often rushed out of their campsite, forced to leave behind trash and belongings, which is then used as an excuse for why they don’t deserve help. “They trash everywhere they live. If they don’t care about keeping the city nice, why should we care about them?”

There’s a woman who comes into my work often. She’s schizophrenic and unmedicated. She’s also an addict and lives on the street. Sometimes, she comes in to buy a can of pop. Other times, it’s to warn about the portal that’s opened by the napkins on the table beside the door. Or to explain to us that it wasn’t her, but the napkins, which opened the portal. Today is a lucid day. She asks for a spoonful of ice cream and promises that when she gets some money, she’ll come and buy a scoop. She seems pretty clear, so I take a chance and ask if she knows the man who collapsed. She does; she hasn’t seen him. I tell her that he needed to be Narcaned three times, and that they took him to the hospital. She says she hasn’t heard anything, adding, “It was that Fentanyl. I told him not to take it. I wouldn’t take it because the color was off. But I told him, don’t take that.”

Later that week, the officer stops in, as he frequently does. One of our employees has standing beef with him over a parking disagreement. “Hey,” I say, maybe more forcefully than strictly necessary. “I watched him save a man’s life on Friday.”

I ask the officer what happened to man. “He’s out of the hospital. I just saw him this morning. He was sleeping on the sidewalk. I told him to move to the grass before somebody calls the ambulance again.” The officer pauses. “I was wondering why you were down there, though.”

It’s clear that he’s worried I’d gone down there to score.

Later, my boss tells me that she’s working with a local advocate to get Narcan into all the downtown businesses. “She said the gospel mission does have Narcan. She said she personally trained the staff there how to use it.”

I drive home, past the corner where the man collapsed. All along the grass, people are folding, curled up, passed out. Cars pull over briefly. Money is exchanged. Cars leave, carrying the people who want the drugs, who contribute to the problem, but who don’t want the people they’re trading with to exist near them.

I wonder if the gospel mission would turn them away.

No one ever dies and… everybody lives happily ever after.

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There are people out there that you never meet, but who have a profound effect on your life, in ways they will never know.

Well, unless you have readers who will mail that person the dirty book you wrote with them in mind. Or a friend who will approach them at a convention and tell them about the dirty book you wrote with them in mind.

In 2012, when I started writing my book, The Boss, there was only one choice in my mind for the “role” of Neil Elwood: Anthony Stewart Head. Since Buffy the Vampire Slayer is about 17% of my total personality, and Merlin a solid chunk, as well, there was only one middle-aged Englishman I could possibly imagine. I gave Neil the looks of season four Giles and the leather gloves of season one Uther. I pictured each scene acted out as if I was watching a movie (a huge part of my process), running each line of dialogue through my mind in Head’s Doctor Who Confidential voice (it’s a crime he never got a chance to play The Doctor).

As I posted chapters of the serial, and later, after the book came out, readers fell in love with the posh-but-somehow-still-hip middle-aged dad in a highly problematic relationship with his much younger assistant (which, I want to make very clear, was not ripped-off from his series You, Me, and Them, in which he played a posh-but-somehow-still-hip middle-aged dad in a highly problematic relationship with a much younger veterinary assistant, which came out the same year). Because I’d been so open about who’d inspired him, and because I’d spent years on the internet professing my undying crush on the man, some readers sent poor Mr. Head copies of the book. I don’t know if he ever received any of them, but when I had the opportunity to ask a Buffy cast member, Amber Benson, if he’d take hurtful offense to a stranger writing smut with him in mind, she assured me, “No, he would love that!”

Later, my friend, Petra, met him at a convention and got a photo signed for me. She told him to his face about The Boss and my huge crush on him, and Benson was right: he was absolutely not offended, and said I should write a film treatment for the book. So, even celebrities don’t really understand the book-to-film pipeline and how little control authors have over it, which is nice information to have.

The photo he signed to me went into my collection of other memorabilia, both autographed and unautographed, which Petra and readers have gifted to me over the years: Numerous signed photographs. An Uther action figure. A weird commemorative Giles plate (which showed up in the background of my daughter’s viral Doctor Who reaction, which Head retweeted). A copy of the novelization of the coffee commercials he starred in during the late 1980s. A two-CD set of songs inspired by the coffee commercials. If there is niche Anthony Head memorabilia, I own it.

The Boss isn’t the only part of my work that he influenced. Potentially my all-time favorite blog post I’ve ever written is about those Nescafe Gold commercials. Merlin Club, a group watch-along that had a long run at Trout Nation, was heavily dominated by talk of the aforementioned gloves. And of course, the Buffy rewatch here (that I eventually ran out of steam on; forgive me, they were so long) and currently on YouTube and Patreon. No matter where you look in my career, chances are you’re going to see something that is one degree removed from my fan love for him.

There is absolutely no way that this man could have possibly known how many ways he affected my career and life; meeting him would have been too creepy, sending an email or a tweet somehow creepier. “You are so good at your job that you have inspired my deeply explicit erotic novels?” No, thank you. I’m fine never having that interaction on this planet. But I’m mourning him because, even though he was just doing his job, he did have that benevolent affect on my work. The Boss wouldn’t have blown up and changed my life the way it did if readers hadn’t fallen in love with Neil Elwood, and Neil Elwood wouldn’t have existed if not for Anthony Head.

Despite playing reprehensible villains (looking at you, Rupert Manchin from Ted Lasso), social media tributes from loved ones, coworkers, and fans are painting glowing tributes to an unproblematic man. A trans ally. A talented actor. A nice and decent person. Usually, when someone famous dies, the skeletons start flying out of the closet and straight onto our For You pages. But for once, everyone is parasocially mourning the right person. Someone we should be mourning parasocially, who deserves to be mourned parasocially, because the people who actually knew him are showing us, through memories and reflections, to care that the world has lost someone special.

We never know how, by just living our lives, we shape the lives of others. If we all tried to be a tenth of the person that Anthony Head’s loved ones are telling us he was, the world will be a much better place. And if every artist threw their entire weight behind their talent the way he did, it would be a hell of lot more inspiring, too.

These are the changes I’ve made in the 25th Anniversary edition of The Turning, and why.

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Friends, I know it has been a while. I’m way more active over on Patreon these days because, frankly, I gotta pay those bills, and time is tight. But The Turning is out in sixteen days (the day before my youngest kid’s high school graduation party… why did I schedule it like that?), so it’s now or never in terms of updates.

Rewriting The Turning has been wild. I got to see how much I’ve grown and changed as a writer, and how much I’ve grown as person. Namely, how much I grew past some harmful internal programming. That meant I needed to make substantial changes to story elements. I also made more changes, to do more of what I want. Because it’s my book.

If you read The Turning and you’re curious about what’s different, read on (cw: sexual assault, murder, torture, necrophilia, mutilation of corpses, as well as implied cannibalism of a deceased infant). If you’re going into it for the first time, or you want to be surprised, this would be a good place to stop in order to avoid spoilers. But first, we’ll pause for a quick ad break.

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This post was brought to you by Jenny’s Ambitious Projects. Take on enormous, self-inflicted challenges with Jenny’s Ambitious Projects.

Reflections on 2025, and The Turning eBook pre-order!

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I’ve been working for about two years now to bring my very first novel, Blood Ties Book One: The Turning, back to readers. I’ve been tinkering, revising, and generally isolating myself from the world lately while laboring on a few interesting projects that I can’t wait to share, but the one that has been priority #1 is The Turning. Now that I’m in the home stretch, with the twentieth anniversary less than six months away, I’m excited about it in a way that makes my stomach nervous. It’s available for pre-order now, and releases June 6, 2026.

Because its originally release date was 6/6/06. That maybe explains a lot.

Avoid sunlight. Drink Blood. Hate yourself. Forever. Welcome to immortality.

From the moment a presumed-dead John Doe sank his fangs into my neck, I’ve been living on borrowed time. The Voluntary Vampire Extinction Movement demands fealty from all newly-created vampires, and they’ve got a moody, mysterious assassin who’s more than willing to drive a stake through my heart if I don’t join them.

But I’m bound to my sire by a seductive, primal bond, and he’s one of the Movement’s most wanted vampires. With him, I can live in opulence and indulge the darkest, most depraved desires of my vampire nature. An eternity at his side, wielding the power of vampire nobility, is a temptation that comes with an impossible price: my dedication to human life.

Pre-order now: Amazon, Barnes & Noble, Kobo, Apple, and Smashwords

In 2025, I made it my goal to be a bestseller again, but I underestimated how consumed I would be with The Turning. I also underestimated how consumed I would be with working for a chocolatier and helping to manage their store. Shout out to the people who came in and recognized me behind the coffee bar. That was so friendly of you!

But yeah, some of my goals just didn’t pop, or got stalled at various stages (especially the hardback special edition of First Time, which is still very much in the works, but for which I’m now considering new printing methods and weighing my options), but I did get to hit a bestseller list this year, thanks to Stuff Your Kindle Day. A Kingdom of Pleasure and Torment made it to #30 or something free in the Kindle store. So, I achieved my goal, if not the giant workload I gave myself that would have been super tight even if I had still been writing full time.

In 2026, I’m going to appreciate the benefits of going slow. I think it’s something we all need to do this year, based on the state of the world and the mounting stress everyone has. Let’s make 2026 the year of the slow. Let’s just be gentle to each other.

My Favorite Reads of 2025

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It’s been another banger of a reading year for ol’ Jenny Trout. Not so much a banger of a writing year, but that’s a) obvious from the fact that I’ve barely posted anything here in months, and b) another post entirely. But I did do a lot of reading, and as always, I’m gonna talk about it at you.

Out of all the books I read in 2025 (and I’m not going to add them up), these were The Best:

Children of Fallen Gods, Carissa Broadbent The War of Lost Hearts is an incredible series, but the second book is really the best one. Book two sees Tisaanah, the heroine of the first novel, continuing to fight an inner demon, literally, but adds Aiofe, another strong female main character fighting a battle of her own. There is so little I can say about this book and this series without spoiling the fantastic plot twists, but as far as romantasy novels go, this series is top tier and I cannot recommend it enough. I read this series back-to-back-to-back in the beginning of January, and I’m still thinking about it at least once a week.

All Systems Red, Martha Welles I’ve been joking about this book ever since I read it, constantly comparing myself to the lead character, a genderless security droid who, upon gaining free will, names itself “Murderbot” and pirates thousands of hours of space television. I knew the show was coming out, and I wanted to read this novella before I watched the series. I’m really glad that I did; I liked being in a non-human character’s head, and I think I wouldn’t have felt that as strongly if I’d only watched the show. The book is clever and fun, it’s a quick read, and the pace is perfect.

Sunrise on the Reaping, Suzanne Collins Either you love The Hunger Games universe or you don’t, and I love it. After DNFing The Ballad of Songbirds and Snakes, I was so afraid to read Haymitch’s story, but I wasn’t disappointed at all. In fact, I enjoyed Sunrise on the Reaping more than I enjoyed Mockingjay, which I used to think was the strongest book in the series. I don’t know how or why Collins had me stunned at every grim turn of events, as if I’d never read her work before, but it was like rereading the original trilogy for the first time.

Spark of The Everflame, Penn Cole This was a big romantasy year for me, and Spark of The Everflame was a part of that. After a string of DNFs in the wake of The War of Lost Hearts, I thought maybe I’d burned myself out on the genre. I just needed to meet Diem, an FMC I will hear zero criticism of. I am rooting for her so impossibly hard, and I’m burning through this series (title pun intended). This book is on my list for being an MVP slump buster.

Rhapsodic, Laura Thalassa I had no idea how much I was missing good, old-fashioned, ’00s style urban fantasy. I gave Rhapsodic a chance out of morbid curiosity. I’d heard that it was a rip-off of A Court of Thorns and Roses (it shares exactly jack and dick in common with that crap). I’d heard it was trashy, turn-your-brain-off romantasy. Instead, it was a fun start to a great series with a compelling mystery and lots of romantic drama. It reminded me a lot of Lucifer or Buffy the Vampire Slayer. Some people have said they felt there were elements of “grooming” between the MMC and the FMC. I can see where they’re coming from, but I also think a lot of online discourse glosses over the fact that this isn’t strictly a romance novel, and the characters do have to work past the toxic beginning to their relationship throughout the series.

Redacted, Redacted Unfortunately, two of the sweetest, most enjoyable contemporary novels I read this year were from an author who ended up promoting and supporting pulled-to-publish Harry Potter fanfic, so I can’t include them here. Please know that I am furious about this.

There are very few books that I re-read, but I thought I’d give The Parable of The Sower, Octavia Butler, another read-through, due to how the country where I live… is. It felt timely. I first read it in high school, probably in 1996 or 1997 (a very cool aunt always gave me challenging books for Christmas), so of course, I identified with Lauren and saw her as this super cool teen surviving in an unimaginable dystopia. It was just a science fiction adventure novel to me. Now, on second read through, living through the rapid dismantling of American society with a daughter Lauren’s age, it reads like a horror novel.

And finally, just like last year, I had a major surprise. This time, it was courtesy of the Kalamazoo Public Library’s Friends of the Library bookstore. Money has been tight, so any physical media I’ve bought this year has come from there, because paperbacks are fifty cents and hardbacks are a dollar. Splurging there means I’ve gotten to try some authors I never would have tried before. Fall of Giants, Ken Follett, snagged me on the very first page and kept me hooked for about fourteen hundred pages as I tore through the sequel, Winter of the World. They’re the first two books in his Century Trilogy, but I took a little break before the Cold War in book three. Now, when I see one of his books at Friends of the Library, I snatch it up. And then I have to carry the damn things all the way back to my car on level four of the parking garage. And I won’t use the elevators in the parking garage because people shit in there.

That’s love, Kenneth.

Anybody else have books they couldn’t stop thinking about this year?

Accountability report: I am terrified, but I did it!

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I have been struggling with anxiety over this for a year now, but guess what? I’m ready! Today, I launched AbigailBarnette.com. Or, you could look at it as, “I opened the world’s first Abigail Barnette themed online bookstore.”

I’ve been dragging my feet a bit on this one. I had to make a phone call, which was obstacle #1. I kept making excuses like, “Oh, I don’t have time to work on that.” Well, time made itself available to me. I’ve had awful writer’s block for the past few weeks, due in part to stress over my husband’s ongoing medical issue. All I’ve been able to do is proofread, format… and work on deeply repetitive tasks like finishing the set up on a Shopify store. I no longer had any excuse.

Even after a full year of planning and tinkering and researching, amassing inventory, testing and retesting, I’m so afraid. But I’m optimistic. This is a really important step in owning my art. I’ll be able to release special editions exclusively to the shop. I can offer my eBooks directly and release titles a week or two early for readers who decide to shop with me. I’m really excited about this. Currently, orders can only be shipped to the U.S., which I explain on the FAQ there, but take my anxiety level in this post into consideration and you’ll understand.

So, here’s to Abigail Barnette’s new venture. Now, onto the rest of the accountability:

Word Count For 2025: 63086

Her Brother’s Billionaire Best Friend releases February 4 (I wish I could cross this one off, but I can’t until I’m happy with the paperback.)

  • Heavy, daily promo until release day (I did better with this release than I ever have in the past, promotion wise. I’m pretty happy with what I did.)
  • Send out ARC emails
  • Search manuscript one last time for “actually,” “clearly,” and “really”. Eliminate as many as I can stand.
  • Format for Kindle and Smashwords
    • Table of Contents
    • Front Matter
    • Update Book Links
    • Back Matter
    • Pre-Order link to Her Billionaire Boyfriend
  • Upload manuscript to Smashwords by Jan. 15
  • Upload manuscript to Kindle by Jan. 31
  • Format Paperback
    • Format
    • Cover
    • Order Proof (This has been a continual thing.)
    • Adjustments as needed, if any (Please, no more.) (We should, finally, be done after the next proof.)

Her Billionaire Boyfriend releases May 6

  • Combine into one file from original proofs
  • Staggered promo with HBBBF from February 14
  • Heavy promo from March 1
  • Cover
  • Cover reveal February 14
  • Blurb
  • Establish Pre-Order Link
  • Final proof
  • Send out ARC emails (I didn’t end up doing ARCs for this title)
  • Format for Kindle and Smashwords
    • Table of Contents
    • Front Matter
    • Update Book Links
    • Back Matter
    • Pre-Order link to Her Billionaire
  • Upload to Kindle, Smashwords
  • Format for Paperback
    • Format
    • Cover
    • Order Proof
    • Adjustments as needed, if any

Her Billionaire releases September 30

  • Final Proof
  • Cover
  • Blurb
  • Staggered promo with HBB from June 1 (Whoops! Better adjust our expectations here!)
  • Heavy promo from July 1
  • Establish pre-order link
  • Format for Kindle, Smashwords
    • Table of Contents
    • Front Matter
    • Update Book Links
    • Back Matter
  • Format for Paperback

Alpha Queen Ascending releases April 15

  • One last read through just in case
  • Cover (In progress) (outsourced)
  • Blurb
  • Establish pre-order
  • Format for Kindle and Ingram
    • Table of Contents
    • Front Matter
    • Update Book Links
    • Back Matter
  • Format Paperback (outsourced)
    • Format
    • Cover
    • Order Proof
    • Adjustments as needed, if any

The Vampire’s Willing Captive releases July 15

  • Fablemere promo campaign May 2 (Missed this by a mile!)
  • Birthday campaign July 1
  • Heavy promo July 1
  • One last read through just in case
  • Cover
  • Blurb
  • Establish pre-order (might not get a chance on this one)
  • Format for Kindle and Ingram
    • Table of Contents
    • Front Matter
    • Update Book Links
    • Back Matter
  • Format Paperback
    • Format
    • Cover
    • Order Proof
    • Adjustments as needed, if any

Books I Want To Finish This Year:

  • A Kingdom of Wonder and Terror
  • The Business Centaur’s Virgin Assistant
  • Untitled Sophie book
  • The Breakaway
  • The Turning
  • Filthy, Rich

Miscellaneous:

  • Get Abigail Barnette website up
    • Call web provider
    • Link Shopify
    • Promote Shopify
    • Add ebooks
  • Paperbacks of The Boyfriend and Sophie
    • Download manuscripts
    • Format
    • Cover
    • Upload
    • Order proof
    • Adjustments as needed, if any
    • Add to Shopify
  • Launch Shopify
    • Blog post
    • Promote across socials
    • Add link to Trout Nation website
    • Add link to Abigail Barnette website (not necessary, integrated to website)

New release: HER BILLIONAIRE BOYFRIEND!

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I’m so excited to announce that HER BILLIONAIRE BOYFRIEND, #2 in the HER BILLIONAIRE series, is available for you to read TODAY! Or, you know. This weekend. Whenever you have time. But it’s here!

One week isn’t enough. He wants forever.

As the billionaire owner of Ascend Red, an exclusive island resort for kinky, hand-selected clientele, Matthew Ashe prides himself on making fantasies come true. When Charlotte Holmes walked into his life, she quickly became his fantasy. But now, their stay is almost over, and their future is waiting.

Charlotte knows that she’ll have to adapt to Matt’s life of luxury, but she doesn’t expect to be thrown into the deep end quite so soon. A weekend party at his family’s estate gives Charlotte a taste of how the exceptionally wealthy live—and highlights just how different she and Matt are, despite their scorching compatibility in bed.

When they stumble into a family secret, Matt and Charlotte are forced to confront their differences, fears, and insecurities…and the reality that their match made in paradise might not work in the real world, after all.

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If you read HER BROTHER’S BILLIONAIRE BEST FRIEND and you thought, “There’s no way this story can get any kinkier,” well. Take a peak at this excerpt:

New Release! ALPHA QUEEN ASCENDING is out now!

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Things have gotten strange over at Casa de Pez, and I forgot to promote my book entirely! If you’ve been reading my werewolf series, Taken By The Alpha King, the final installment is out in ebook now! I had such a good time writing in the genre that made me a writer in the first place. I’m a little sad that it’s all over. But it’s out now, and as always, Covers by Kris knocked it out of the park:

A full moon behind the Montreal skyline. In the foreground, an amulet with a rune carved into it lays on a stone. The title, Alpha Queen Ascending, is centered over the full moon.

You can get the whole series now in ebook, at all the retailers, if you’re in the mood for deeply tropey PNR/UF. And yes, there will be a paperback of this one. It’s ready to go, cover flat and everything, but as I said, things are bonkers, so I’m just waiting on a proof.

I can’t wait to tell you why things have been bonkers, but as it’s unrelated to writing (it’s about my art), I’m sitting on it until everything is totally set in stone.

Hope things are good in your world, Trout Nation!

Blood Ties (Jenny’s version): A Patreon update

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I’m being so lazy and just copy/pasting this blog post, for the most part, from the one I made on Patreon. But you’ve seen my to-do list. You can cut me some slack.

Over on Patreon and Ream, the core Fablemere trilogy is wrapped. All three will be available in ebook and paperback by the end of this year. I’m so happy I got to write it, and I’m so grateful to everyone who supported it.

What happens to that Patreon tier now? What happens to Ream? Well, the Patreon tier will still exist. It’s just call The Library now. Fablemere will stay available for $3 and up patrons, but the focus will shift from just that universe to other works that I’ll serialize before going to paperback and ebook releases. If you read my stuff on the Radish and Yonder apps, it’s similar to that model. Subscribers will see it before it goes to publication.

Currently, I’m working on a rewrite of my first-ever novel, Blood Ties Book One: The Turning. I’ll be releasing the updated version on the 20th anniversary of its first publication, June 6, 2026, as The Turning, as part of the Blood Ties (Jenny’s version) series.

Yes, I’m actually doing the (Jenny’s version) thing, because Taylor Swift re-recording her masters was a massive inspiration to me when making the decision to pursue the rights to these books.

The Turning will be the next work I post on the $3 Patreon tier, and on Ream. It won’t be a weekly upload, however. Fablemere was written with the expectation that it would be serialized, meaning shorter chapters that are all about the same length, between 1,500 and 3,000 words long. The Turning is a traditional novel, and the chapters range between 3,000 and 6,000 words, and I’m rewriting it all. Because the project isn’t finished yet, the uploads might be two weeks apart.

So, take all of that into account and decide if the Patreon and Ream is still right for you. Chapters of The Turning will begin posting on April 1.

Here’s the super cringe blurb it was originally published with:

I’m no coward. I want to make that perfectly clear. But after my life turned into a horror movie, I take fear a lot more seriously now. I finally became Dr. Carrie Ames just eight months ago. Then I was attacked in the hospital morgue by a vampire. Just my luck.

So now I’m a vampire, and it turns out I have a blood tie to the monster who sired me. The tie works like an invisible leash and I’m bound to him no matter what I do. And of course he’s one of the most evil vampires on earth. With my sire hell-bent on turning me into a soulless killer and his sworn enemy set to exterminate me, things couldn’t get much worse — except I’m attracted to them both.

Drinking blood, living as an immortal demon and being a pawn between two warring vampire factions isn’t exactly how I’d imagined my future. But as my father used to say, the only way to conquer fear is to face it. So that’s what I’ll do. Fangs bared.