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Wednesday Blogging: Favorite Beauty Products

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I haven’t done Wednesday blogging in a while. What can I say? I have commitment problems. But this Wednesday, I have the opportunity to tell you all about my favorite beauty products. So I’m about to.

Note: As I started writing this, I realized I started to fall in and out Sophie’s voice. Sophie’s entire personality is the part of me that cares deeply for indulgent goodies and stuff that paints up your face like a goddamn work of art.

The Perfect Red Lipstick

You know what I love about red lipstick? Even if you have no other makeup on, even if your hair is in a scrunchie you’ve had since 1991 and you haven’t showered in three days because your hot water heater is broken, red lipstick transforms you into a deity of pure, attractive badassitude. But finding the right red? Ha, good luck. But last fall, I found two amazing shades of red that look perfect on me.

mrs mia wallace viva glam

Urban Decay’s “Mrs. Mia Wallace,” from their Pulp Fiction collection, and MAC’s “Viva Glam Rihanna 1.” One or both are always in my purse.

Eye Liner Pens

I will never use pencil or gel again. Whoever invented the eye liner pen, which is a very fine felt-tip marker with eye liner instead of ink. My favorite is Stila’s “Stay All Day” waterproof eyeliner.

stila eye liner

 

I love to do cat eyes and wings, but when I was using gel, it was anyone’s guess how it would turn out, and pencil rubbed right off. This thing? This thing is pro. It’s not as dark as Urban Decay’s eyeliner pen, but I’ve always found that the Urban Decay pen gives you a very finite amount of time to do your lines, or it starts lifting as you overlap the color. This, you can go over and over the line until it’s just right, and it’s much easier to remove in case of mistakes.

Bubble Bars

Lush bubble bars leave your skin soft and smelling amazing. Also, lots and lots of bubbles, for taking bathtub selfies while you’re high and sending them to all of your friends.

brightside

 

Eyeshadow Primer

Urban Decay’s Eyeshadow Primer Potion is the best primer I’ve ever used. If I fall into bed without taking my makeup off (i.e., every single time I wear makeup), my eyeshadow, eyeliner, it’s all still on, pretty much perfect when I wake up in the morning. It’s sorcery.

primer potion

 

Eyelash Curler

The only eyelash curler I’ve ever purchased that didn’t make me furious within four or five uses.  Yay, Tarte!

eyelash curlerBonus? It comes with a free sample of their Lights, Camera, Lashes mascara. Which is also in the running for my favorite mascara of all time.

Three Hundred Dollar Face Cream

Okay, let’s just establish that this is not something that I bought. It was given to me as a gift from a website I was writing for. And I will never, ever have it again:

 

This shit was something else. It made my face so tight, I thought I would never age. I used a spatula to get the very last dregs out of the jar. Because there is no way, even if I won the lottery, there is no fucking way I will ever, ever have any of this again. I could not even bring myself to spend that much money on it when I can get some off-brand Oil of Olay shit for nine bucks.

Wanna know what the other Wednesday bloggers picked as their favorites? Check out their entries:

Bronwyn Green • Jessica Jarman • Gwendolyn Cease • Kayliegh Jones • Kellie St. James • Jessica De La Rosa • Kris Norris • Paige Prince

 

DON’T DO THIS EVER: “World Before Columbus Syndrome” edition

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I’ll be honest: I don’t follow JA Konrath’s blog much these days. When I was first venturing into self-publishing, I ate it up. But as I continued down my path, somehow I just fell away from a lot of the self-publishing bloggers I’d been reading.

Last Tuesday, Konrath took to his blog to sing the praises of self-publishing and the freedom it brings:

“So why am I writing kinky romance?

Lots of reasons.

First, because I can.

We live during the greatest time in history to be a fiction writer. Anything you can dream up, you can publish. Maybe it will find an audience. Maybe it won’t.

But at least it has the chance to.”

Yes! Right on! Self-publishing is fantastic for that! I don’t see why everyone is so up in arms over this post!

Our male protagonist is a sex worker. An escort. A prostitute. I’m pretty sure Harlequin didn’t allow that back when Ann was publishing her romance continuities. I also believe Harlequin had a guideline that once the hero met the heroine, neither were allowed to philander. Strike two. Finally, the sex in Want It Bad makes Fifty Shades of Grey look like a Disney picturebook. Harlequin may have had some racy titles, but I doubt they ever got this racy.

Hmmm. I’m starting to get a sense of why some authors took exception to this post.

The “Ann” Konrath refers to is Ann Voss Peterson, who wrote award-winning romantic suspense for Harlequin’s Intrigue line. This is important information later.

So check out Want It Bad. It has romance. It has female-buddy banter. It has humor. It has insanely kinky sex. It’s a feminist, empowering, 21st century love story that couldn’t have been written ten years ago because the genre, opportunity, and mindset didn’t exist.

Oh. Okay, now I see why I took exception to this post.

Let’s start with the obvious: you could have totally written a 21st century love story ten years ago. Because ten years ago was in the 21st century. So let’s be pedantic and get that out of the way right now.

Your book has romance, kinky sex, female-buddy banter, is feminist and empowering, but couldn’t have been written ten years ago because there was no genre for it, no opportunity to write it, and nobody had the mindset.

y99sexcast2_20000530_00477.jpg

 

Now, I’m not going to debate whether or not Sex and the City lives up to either modern or contemporary standards of feminism. But the popularity of Sex and the City was a watershed moment in how our culture viewed sex from a female perspective. Here was a show that gave us female characters who didn’t compete with each other, who talked about more than just how their lives related to men (though men were the topic of conversation more often than not) and which exposed the frank, raunchy, enthusiastic approach toward sex that women were sharing with each other. Again, I’m not debating whether the show covered all possible experiences (the characters were middle and upper class white women who were all straight), but it did have empowerment, feminist issues, “female-buddy banter,” humor, and kinky sex (every time I write about Sophie squirting, I remember that I learned about it from Sex and the City). The show had everything Konrath is praising his own work for having… and it ended its run in 2004. For those of you who are tragically bad with numbers, that’s… ten years ago. It actually debuted in 1998.  So clearly the “mindset” existed.

The problem is that Konrath didn’t realize the mindset existed. Or, more accurately, Konrath didn’t realize the mindset could make him money back then. In the comments section, he says:

Courtney Milan, who by all accounts is a good writer and a person I respect even if I don’t agree with her on everything, mentioned this on Twitter.

Which is why you said the “genre, opportunity, and mindset didn’t exist”?

I said that because it didn’t exist.

Has there always been erotic romance? Sure.

Has it always been mainstream?

No. Fifty Shades of Grey sold 100 million copies and opened the genre up to huge numbers of readers who never tried the genre before.

Fair enough, Fifty Shades of Grey did cause an erotica boom. But Konrath appears to be saying that yeah, erotic romance exists, but he wasn’t paying attention to it back when it didn’t stand a chance of lining his pockets. Now that he’s seen  the kind of cash erotic romance authors are making, he’s going to expose and break down the barriers of censorship that had already been crumbling since 2000, when Tina Engler founded Ellora’s Cave.

Again, if you’re bad at math, that’s fourteen years ago, four years before the mindset that allowed for female-friendly erotica’s existence.

When confronted about his statements, Konrath moved the goal posts and demanded evidence that erotic romance existed before his:

Can someone show me an HQ series featuring a sex worker who sleeps with a woman after meeting the heroine? Or a HQ continuity with candle wax, pillory spanking, and a sex machine?

and

So you’re telling me that FSoG could have gotten into Walmart years ago, as part of a HQ series or continuity?

You’re saying that HQ Blaze was not only mainstream, but the hero and heroine could sleep with others after they met, used sex machines, dripped hot wax on each other, etc, and were still for sale in Target or Sam’s Club?

If so, then I’m wrong. But if FSoG opened up this genre to worldwide acceptance, then my points stand.

As several commenters rightly pointed out, Konrath didn’t say that erotic romance couldn’t have been carried in big box stores ten years ago, or that Harlequin hadn’t published the elements in his book. He didn’t even say that his book couldn’t have been published ten years ago. He said:

It’s a feminist, empowering, 21st century love story that couldn’t have been written ten years ago because the genre, opportunity, and mindset didn’t exist.

The twitter and comments arguments continued in this vein, with women who’ve been writing in the genre for twenty or more books simply asking Konrath to admit that he’d written something objectively false, and Konrath refusing to acknowledge both the actual words in the above quote, or that Harlequin isn’t the sum total of the romance genre.

For some reason, this behavior doesn’t endear him to erotic romance authors, and neither does his behavior toward Courtney Milan in their twitter exchange:

Konrath grew even more defensive when author KT Grant suggested that a snipe he made with regards to Milan’s sales  compared to Peterson’s sales was hitting below the belt:

Courtney insulted me a lot in that Twitter exchange, and I was polite.

Then she insulted my co-authors, saying Ann didn’t know what she was talking about.

Taking potshots at me is fine. Potshots at my co-authors? I don’t play that.

Courtney has NO BUSINESS telling Ann Voss Peterson that she doesn’t knwo what she’s talking about. Ann has forgotten more about writing than Courtney knows, and she’s a better writer than damn ear anyone I’ve ever met.

Next time you get insulted, read it in context.

Ah. Apparently Grant was interrogating the text from the wrong perspective. I mean, clearly Konrath was perfectly polite in his exchange with Milan, as evidenced by his above potshot at Milan’s outspoken views on feminism.

At one point, Konrath appears to be trying to bring the conversation in his comments section to a close by stating:

I have no control over what insults people. But I did write a very funny, very sexy romance, which I’m excited about, and want to tell the world about, so I’m very amused by the reaction it is getting.

There’s no zero sum in writing. One author’s sale don’t come at the expense of another. I encourage writers, I don’t take offense when someone enters my genre. I wasn’t aware I needed to get a union card to write ER. 🙂

The amount of butt hurt wafting off this comment is strong. First of all, it isn’t the book that’s garnering attention; that’s just deluded self-flattery. The reason Konrath has found himself at the center of this conflict is that he said something ignorant, he was called on it, claimed he meant something else, but still stands by the original statement enough to continually argue with authors who know the genre better than him. And better than his writing partner; when asked by Milan if she could name a boundary pushing self-published erotic romance author, Peterson listed  Bella Andre, H.M Ward, Jasinda Wilder, and Liliana Hart, none of whom are considered erotic romance authors.

Second, no one in the conversation suggested that the book Konrath and Peterson wrote isn’t welcome in the genre, or that they’re not allowed to write in the genre. People were upset by the statement Konrath made, that a book like his couldn’t have been written ten years ago.

The cherry on top of the condescension sundae is when Konrath seems to imply that the ire directed toward him by erotic romance authors is one of financial envy. The concern was never that this book would sell so incredibly well that all of us would be out here wailing and gnashing our teeth in seething want of the same professional success. The concern was that Konrath had made the statement that a book like his couldn’t have been written (again, not published, not self-published, not successfully marketed, but simply could not have been written) ten years ago, because the “mindset” didn’t exist. And when faced with the overwhelming evidence that yes, the erotic romance “mindset” existed prior to the time he had the idea to make money off it, he chose to repeatedly ignore both the proof of that and his own words. He blatantly refuses to admit that the “mindset” that creates feminist friendly, kinky books existed prior to the time he believes it did.

For some bizarro reason, some ER writers think I’m disrespecting them by not acknowledging them, and that I have no business writing in this genre.

Seriously? You sound like whiny fans who are mad that the band they discovered in high school now sells out arenas.

Gosh. I don’t know why anyone would find that insulting at all.

Jealous Hater’s Book Club: Apolonia, chapter two

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A blogger contacted me about the possibility that Apolonia could be a Roswell fanfic (the blogger who contacted me is not affiliated with the link). Having never watched Roswell myself, I wouldn’t know. I’m also not familiar enough with McGuire’s background to know whether or not she has published fanfic in the past, though I have heard that allegation leveled at her before. I haven’t seen any kind of obvious trail, like with E.L. James and Fifty Shades of Grey. If you’re familiar with Roswell and notice anything, feel free to discuss it in the comments.

SUCH SWEET SORROW Cover Reveal!

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Today Jenny Trout and Entangled Teen are revealing the cover for SUCH SWEET SORROW, which releases on February 4, 2014. Also enter below for a paperback of the book or an eBook!

On to the reveal!

Blurb:
Never was there a tale of more woe than this of Juliet and her Romeo…But true love never dies. Though they’re parted by the veil between the world of mortals and the land of the dead, Romeo believes he can restore Juliet to life, but he’ll have to travel to the underworld with a thoroughly infuriating guide.
Hamlet, Prince of Denmark, may not have inherited his father’s crown, but the murdered king left his son a much more important responsibility—a portal to the Afterjord, where the souls of the dead reside. When the determined Romeo asks for help traversing the treacherous Afterjord, Hamlet sees an opportunity for adventure, and the chance to avenge his father’s death.
In an underworld filled with leviathan monsters, ghoulish shades, fire giants and fierce Valkyrie warriors, Hamlet and Romeo must battle their way through jealousy, despair, and their darkest fears to rescue the fair damsel. Yet finding Juliet is only the beginning, and the Afterjord doesn’t surrender souls without a price…
Excerpt for Such Sweet Sorrow:
Prologue
Two figures, both alike in stature and purpose, ducked beneath a bridge in Verona. The swollen river made mud of its banks. The men slid and fought against it, their torches flickering.
“Let’s turn back, Romeo,” Friar Laurence urged, pushing down the hood of his rough brown robe. “Can we not let poor Juliet rest in peace?”
The younger man fixed his friend with a critical eye. “Peace? My Juliet knows no peace, only eternal torment. She took her own life, and that is my fault.”
They pressed on, Romeo’s steps becoming more determined the weaker his limbs grew. The poison that had incapacitated him, but not killed him, had ravaged his body. Tonight, he traveled farther beyond his father’s walls than he’d dared since the night he’d returned to Verona. Even though the prince had lifted his banishment, the streets still felt unfriendly. A truce had been called between Montague and Capulet there were plenty of young men who would like nothing more than to avenge their kin by killing Romeo.
Their destination lay far from the city center, in a small encampment of hovels beside the river. Faces peeked from behind tattered curtains as Romeo and Laurence traversed the narrow lanes between the dilapidated buildings, coming finally to the very wall of the city itself. It was at this border that they found the strega.
Her door was painted red, surrounded by talismans on long chains that hung from the recessed arch. Romeo ducked beneath a dried and crumbling chicken’s foot and brushed aside a crudely shaped metal eye.
“I go no further.” Friar Laurence backed away from the threshold, crossing himself. “Romeo, I warn you, this is a fearful path you tread. Your soul will be lost to darkness. You will perish in the flames of hell, I beg you not to do this.”
“I am already in hell.” Romeo pushed open the door and stepped inside.
The interior of the witch’s house was hot. It smelled of earth and the wood-like scent of herbs not used for cooking. A bent shape stood before the hearth, where a sulfurous cauldron bubbled. Romeo covered his nose and coughed.
“Ah, I was expecting a visitor this night.” The strega lifted her head, the veil of coins that obscured her face tinkling like fairy bells. “Your man of God could not dissuade you?”
“Nothing will dissuade me.” Even as he said it, his doubtful eyes took in the squawking black bird in the cage near the fire, the jars and bottles lining the shelves, murky objects floating in their slimy depths. “Benvolio told me you can communicate with the dead. He said you made him a charm to ward off attacks by ghosts.”
The strega shuffled across the room, her coins and jewelry clattering. She pointed a bony finger at a chair, and bade Romeo sit. “You are unwell. Poison, was it?”
“Poison, yes.” He could still taste the bite of it, still feel the stinging numbness in his veins. The physical evidence of it lay under his clothes, the dark stain of dying flesh spreading still, a little more each day. “Not enough.”
“That’s because you went to an apothecary,” the strega sniffed. “If you want poison to kill a man dead, you must see a witch.”
“I’ll… remember that. In the future.” Romeo clasped his hands and rested his elbows on his knees. “I came to you for knowledge of the dead. I will pay whatever it takes.”
“The price depends on the knowledge.” She rummaged through a trunk and produced a large, black bowl. Setting it on the floor, she reached into her clothes—it seemed she wore layers upon layers of tattered fabrics, in all shades and thickness—and withdrew a vial. The sight of it winking in the light caused something to recoil inside Romeo. Too recently, he had held a similar vessel.
Then everything had gone so wrong…
“What do you wish to know?” the strega asked, emptying the thick, black liquid into the bowl.
“My love, Juliet—” his voice trembled at her name, and he took a moment to repress his anguish.
“It was her you drank poison for.” The strega swirled the liquid in the basin. “I see her.”
“How do you know it’s her?” He leaned forward, peering into the dish. He saw nothing but his own reflection.
“The same as you know the sun rises in the east. I simply know.” She clucked softly behind her veil of coins. “Bound to you by the thread of holy matrimony. A secret wedding.”
Romeo swallowed back unexpected tears. “Yes, she was my… she was my wife.”
It still sounded strange to his ears. A wife was something an older man had, a man like his father. He could not imagine being so old. Perhaps that had been the poison’s cruelest jest, to let him believe his life would end in the vigor of his youth, only to return him with none of that youth left in body or mind.
“The young are foolish and brash.” The witch’s tone softened. “Black of hair, brown of eye. As fair as any maid from Verona.”
“Fairer,” he corrected her, his hand clenching to a fist. His nails bit into his palm as he struggled to hold back his tears. “Is she happy?”
The strega considered a moment, drawing one finger across the surface of the liquid. When she brought her hand away, it shone wet and red. “No. She is in despair. That is all I can see.”
His heart squeezed tightly. He couldn’t find his breath. He had hoped to hear that she was in a better place, as friar Laurence had assured him so many times. “There must be some way to assuage her grief. Some way to tell her—”
“Her eyes and ears are as closed as any dead woman’s. Whatever torments her will torment her for eternity.” There was no comfort to be had from the strega’s voice. She reached out one gnarled hand, palm up. “If that is all—”
“It is not all!” Romeo shot to his feet, placing his hand on the dagger at his side. He did not have the strength to use it, but the witch couldn’t know that. “You know dark magic. You can bring her back.”
Slowly, the strega unhooked her veil, letting the net of coins fall to her lap. Her face was as aged and withered as her hands. One eye protruded grotesquely, a milky blue, while the other, shrewd and black, fixed on him. “I no longer do such magic.”
“But it can be done?” Romeo asked, and when she nodded, he unsheathed his knife and prodded her knobby chin with the point. “Then you had better do it, witch.”
The old woman did not tremble in fear of him. She grabbed the blade and pushed it away; it felt as though he cut himself instead of her. He dropped the dagger and stepped back, cursing as blood coursed down his arm from the slice that split his palm. Faster than he could have anticipated, the old witch grabbed his wrist and jerked his hand over the basin, letting his blood fall into it.
“I no longer work such magic,” she repeated, swirling the blood in the bowl with her fingertip. “But there are others. To bring someone back, first you must find them. Are you prepared to walk with devils, boy?”
He nodded, his quick breaths flaring his nostrils.
“Are you willing to brave serpents and fire, to fight the keepers of the dead and hear ghosts speak?” She pushed his hand away. At once, the blood on his palm stopped flowing, and the wound sealed itself, burning with invisible fire. He gasped and clutched his hand, watching with horror as the old witch’s good eye rolled back in her head and she called out words he did not understand.
In the bowl, the liquid lightened, then glowed and turned an unearthly blue. A maelstrom formed in the shallow basin, and lightning crackled on its surface. All the while, the old woman chanted and howled, until the room filled with a spectral wind that seemed to originate inside the blue light. The bird screamed in its cage, and jars and bottles rattled and broke on their shelves.
The surface of the liquid rose in waves capped with frothy blue. As the peaks grew higher, the aquamarine light faded, leaving only a bubbling, roiling fount of blood rising as tall as Romeo himself. The burbling red took shape, into a form so familiar that Romeo at once recoiled from it and yearned to touch it.
His Juliet stood before him, or at least, the shape of her, frozen in blood, monochromatic crimson, but unmistakably her. Thick chains bound her across her neck, her waist, manacles clasped her wrists. Her eyes were the worst of all, open, bloody, blank and unseeing, yet somehow still accusing. Still hating him, for having let her go before him.
“I’m so sorry,” he whispered, his throat raw with emotion. He reached for her, knowing it a foolish thing to have done before his fingertips brushed her bloody cheek.
The vision of Juliet opened its mouth impossibly, terribly wide and a bone withering scream burst from her at the same time the vision burst, raining blood over the room.
The strega braced herself with her ancient hands on either side of the bowl, and lifted her head, the blood running in rivulets down her face. “You must go north. You will find the man who can help you there.”
“North?” He conjured up a map in his mind. “Grezzana?”
“Farther.” The strega pushed up from the floor, righting herself. She looked smaller somehow, more fragile than fearsome.
“Erbezzo?”
The eyebrow over her good eye arched in exasperation. “Farther. Farther than you have ever traveled. Over the mountains, to a castle by the sea. The seat of a murdered king.”
He opened his mouth to speak, but she cut him off. “I know no more. In payment, I ask only that you never darken my door again.” She lifted the dagger from the floor. He reached for it, and she threw it, so that the blade stuck in the lintel. At once, her terrible, craggy face transformed, her skin going smooth and youthful, her spider web hair turning to glossy black silk. She narrowed her eyes, no longer milky but deep black, and pointed to where the dagger quivered in the wood. “Leave it. Let its absence remind you never to cross a sister of the fortunes again.”
When Romeo emerged, Friar Laurence rose to his feet, the worry that creased his brow relented only a bit. “I heard such howling, I thought you must surely be in the grips of the devil himself.”
“No devils here.” Romeo made no mention of the dagger. It embarrassed him now, to think he had threatened a woman so powerful. “To find those, I must go north.”

About Jenny Trout:


Jenny Trout is a writer, blogger, and funny person.

Writing as Jennifer Armintrout, she made the USA Today Bestseller list with Blood Ties Book One: The Turning. Her novel American Vampire was named one of the top ten horror novels of 2011 by Booklist Magazine Online.
Jenny also writes award-winning erotic romance as Abigail Barnette.
When she’s not writing, she’s sleeping or otherwise incapacitated.
She is a proud Michigander, mother of two, and wife to the only person alive capable of spending extended periods of time with her without wanting to murder her.

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FICTION

The cover is made to look like a screenplay fastened with paper brackets. There is a large coffee mug ring stain on the bottom right corner. The text reads "SAY GOODBYE TO HOLLYWOOD (a novel) Jenny Trout"

SAY GOODBYE TO HOLLYWOOD

When she’s hired to adapt the blockbuster novel, Beautiful Darkness, for film, screenwriter Jessica Yates sees an opportunity she can’t pass up. The only thing standing between her and a guaranteed hit movie is the author. Lynn Baldwin’s rise from Midwestern housewife to literary superstardom has gone straight to her head, and she’s not willing to see her creation hit the screen without her total approval.

As the entire creative team struggles with the hard-to-please author, Jessica’s personal life spins out of control. When there’s more relationship drama and kinky sex off the page than on, she’s forced to reevaluate what she really wants—before Beautiful Darkness destroys her Hollywood dreams forever.

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CONTEMPORARY EROTICA

A white man with ridiculous abs, open shirt, undone tie, pictured from the nose down. Text: Her Brother's Billionaire Best Friend, Abigail Barnette

HER BROTHER’S BILLIONAIRE BEST FRIEND

Sparks fly when serial flirt Charlotte meets her brother’s best friend, Matthew—a billionaire who wants to dominate her but might lose his heart to her instead.

Charlotte’s older brother, Scott, has always tried to keep her from meeting his best friend, Matthew. Charlotte is a notorious maneater and Scott knows that Matthew, a slick billionaire who just went through a tough breakup, might not survive her. But when Charlotte and Matthew finally meet at Scott’s wedding, sparks instantly fly. Their affair feels so good—and so wrong. In order to get it out of their systems, Matthew invites Charlotte to Ascend Red, an invitation-only kink hotel that he owns, for two weeks of total submission to him. Two perfect, sexy weeks, and then they’ll part forever. But will they be able to say goodbye for good?

WARNING: This story contains explicit sexual content and BDSM, strong language, and depictions of substance abuse that may be upsetting for some readers. Read discretion is advised.

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THE BOSS SERIES

A dark-haired woman's naked back, with a man's large hands at her waist and neck. The words "The Stranger" are superimposed over the black and white image, and "Abigail Barnette" is printed at the bottom of the image.

THE STRANGER (#.5)

Fresh from the class of 2007, eighteen-year-old Sophie Scaife is ready to throw her carefully planned future to the wind and chase her dreams all the way to Tokyo. When her flight is canceled and a handsome stranger offers her a night of no-strings-attached pleasure, Sophie finds herself on a much different adventure than she’d expected.

With his commanding sexual presence and deviously filthy mind, Leif is the perfect man to teach Sophie everything that’s been missing with other lovers. But while Sophie can trust him with her body, she’s not sure he’s all that he claims to be…and their night of passion could change everything.

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the boss cover

THE BOSS (#1)

Sophie Scaife almost ran away once, trading her ticket to college for a ticket to Tokyo. But a delayed flight and a hot one-night stand with a stranger changed her mind, putting her firmly on track to a coveted position at a New York fashion magazine.

When the irresistible stranger from that one incredible night turns out to be her new boss – billionaire and publishing magnate Neil Elwood – Sophie can’t resist the chance to rekindle the spark between them… and the opportunity to explore her submissive side with the most Dominant man she’s ever known.

Neil is the only man who has ever understood Sophie’s need to submit in the bedroom, and the only man who has ever satisfied those desires. When their scorching, no-strings-attached sexual relationship becomes something more, Sophie must choose between her career and heart… or risk losing them both.

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the girlfriend cover

THE GIRLFRIEND (#2)

Unemployed, blacklisted, and pregnant, Sophie Scaife’s life is totally upside down. Her relationship with publishing magnate Neil Elwood is on the rocks. Her best friend’s career is igniting. And Sophie is afraid she’ll make one of the toughest decisions of her life alone…

When a devastating diagnosis forces Neil to return to London, Sophie throws caution to the wind to follow her heart across the Atlantic. Keeping a scorching D/s affair as red-hot in sickness as it was in health is a challenge, even for two lovers as inventive as Sophie and Neil. But Sophie is more than willing to try anything her Sir commands, and their fantasies of control become a welcome refuge from the daily stress of illness.

While Neil’s wealth and privilege make adjusting to her new situation easier, Sophie finds herself rebuilding her life around an uncertain future. And while both of them face the changes between them head-on, they’re all too aware that their happiness may be fleeting—and Sophie could lose Neil forever.

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The Bride cover draft 2

THE BRIDE (#3)

After a tumultuous year, Sophie Scaife’s relationship with her boyfriend and Dom, billionaire media mogul Neil Elwood, is hotter and happier than ever. His sizzling Dominant side pushes Sophie to new and challenging heights of submission and erotic exploration as she follows her Sir’s every whim. But with his daughter’s impending wedding and a milestone birthday turning Neil’s thoughts toward settling down, Sophie faces a much different future than she’d planned.

Caught in a conflict between her new wealth and her desire for independence, Sophie fears she’s becoming just another Fifth Avenue trophy wife. With her fashion journalism career over and her new effort as a writer uninspiring, Sophie has to work harder than ever to prove her intentions to Neil’s family and friends.

Sophie isn’t the only one struggling to adapt to her new lifestyle. When private jets and designer labels threaten her bond with Holli, Sophie finds herself walking a fine line between the world she now i
nhabits and the past—and people—she fears she’s left behind. After a shocking revelation divides her loyalties, Sophie is in danger of losing her best friend or fracturing the trust of the man she loves.

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the-hook-up-cover

THE HOOK-UP (MISSING SCENE) 

After cancer put a year of his life on hold, Neil Elwood is finally back where he thought he belonged, at the head of his media empire. But when the job takes him to London and away from his girlfriend, Sophie, he begins to reevaluate his priorities.

Neil isn’t sure what to expect when Sophie suggests a one-on-one night between him and their lover, Emir. When the two men have dinner together, sparks fly, and Neil recognizes a rare opportunity to give sexual submission another try.

Though taking charge is all he knows, Neil is willing to obey, at least for one night. Under Emir’s command, Neil discovers a whole new side of his sexuality, and he learns that sometimes, surrendering control can feel so, so good…

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the ex

THE EX (#4)

CONTENT WARNING: This book contains frank discussion of recovery from rape and suicidal thoughts.

Magazine editor-in-chief, bride-to-be, and soon-to-be-step-grandmother at twenty-six, Sophie Scaife is looking forward to married life with her fiancé and Dom, wickedly sadistic billionaire Neil Elwood. As they enter unexplored sensual territory, Neil leads Sophie to the very edge between pain and pleasure—and she discovers a surprising new side to her sexuality.

While Sophie balances her hectic work routine with her devotion to her unconventional family, Neil has to adjust to life as a retired mogul. With their big day drawing nearer, they have to forge through pre-wedding jitters, personal crises, and an unexpected houseguest to get to their kinky ever after.

But a decades old trauma still haunts Neil. When the private details draw public interest, Sophie learns that the scars of his past are greater than he let on—and he’ll need all of her love to heal them…

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The cover of The Baby, on which a baby grasps a man's finger.

THE BABY (#5)

CONTENT WARNING: contains mention of suicide and suicidal ideation, as well as recovery.

When life unravels, someone has to wind it up again. Sophie Scaife has found herself in such a position one time too many. She should be celebrating a new year and bountiful success; instead, she’s trying desperately to hold her world together as it tears apart. 

For Sophie and her husband, billionaire Neil Elwood, coupling the domesticity of marriage and their steamy games of Dominance and submission comes naturally. Rekindling their sinfully kinky affair with an old flame makes their passion burn hotter than ever, and Neil’s lust for Sophie is matched only by his drive in undertaking an ambitious new philanthropic venture. 

But in the wake of Neil’s greatest triumph comes a staggering life change neither of them are prepared for. Overnight, Sophie finds herself in a new reality, wholly unlike the life she’d planned. As emotions run high, Sophie struggles to reconcile the husband she cherishes with a man she no longer knows; a man she loves too much to let go without a fight… 

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The cover of The Sister, a black and white image of a woman in bra and panties, her head thrown back and her hand between her legs (though nothing explicit is shown).

THE SISTER (#6) 

Sophie Scaife finally feels like her personal life is on the right track. Her marriage to her devastatingly sadistic billionaire Dom, Neil Elwood, is as sexually adventurous as ever. Their relationship with their lover, the glamorous and rich El-Mudad ibn Farid ibn Abdel Ati, is growing closer. Even sharing guardianship of Neil’s granddaughter with his ex is going smoothly.

But a trip to Sophie’s hometown leads to a heartbreaking discovery, and she’s forced to confront a family she never knew. When they ask her for a life-changing favor, she must choose between helping them and healing herself—unless she can find a way to do both.

While she navigates the unrelenting emotional pressure, long-simmering tensions come to a head in her professional life with dramatic consequences. Reconciling what her heart wants with fears for the future, Sophie must learn to let go of the past and embrace possibilities she never knew were options…

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The cover features a picture of man of a middle-eastern ethnicity (very vague, I'm sorry, but it's from stock and I don't know who the guy is to tell you what his exact ethnicity is) reclining in sleep. He has a short beard and mussed, wavy dark hair that's about shoulder-length. Also, the longest eyelashes you've ever seen. There's the title of the book and my pseudonym on the cover, as well, but the highlight is this super hot sleeping dude who looks like a damn angel.

THE BOYFRIEND (#7)

Though life hasn’t turned out at all the way Sophie Scaife planned, things couldn’t be better. With her devoted husband and deliciously sadistic Dom, Neil Elwood, and their fiercely protective and passionate boyfriend, El-Mudad ibn Farid ibn Abdel Ati, Sophie is living a romantic, naughty fairytale she could never have imagined in her most wicked dreams.

But when El-Mudad wants to take things to the next level, the threesome find that keeping their serious commitment hidden won’t be possible forever. Blending two already unconventional families into one proves challenging, especially under the critical eye of disapproving loved ones—and not-so-loved ones.

Now, Sophie must juggle her roles as guardian to Neil’s granddaughter and sudden stepmother to two teenaged girls, her tenuous connection to her newly-discovered biological half-sisters, and the impending marriage of her mother to their former chauffeur, all while coming to terms with a dreaded milestone birthday. And thirty might be her most tumultuous year yet…

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Black and white photo of a brunette with long hair, shown from just under the eyes, down to her cleavage. She's wiping the corner of her mouth with her fingertips in a suggestive manner. SOPHIE is printed across the bottom in huge letters.

SOPHIE (#8)

The conclusion to the internationally bestselling saga…

It’s been fourteen years since Sophie Scaife tried to run away to Tokyo only to find herself seduced and stranded by an enigmatic stranger. Now thirty-two and a reluctant socialite presiding over a lavish Hamptons estate with that stranger and their partner, she’s living a life she’d never dreamed of—and a love more perfect than she could have imagined.

She just never thought she’d end up raising someone else’s children. Technically not a mother—and definitely not cut out for motherhood—Sophie struggles to figure out her role in the parenting of Neil’s precocious granddaughter, Olivia, and El-Mudad’s teen daughters, Amal and Rashida. But when a custody dispute threatens to topple the family they’ve built, Sophie learns just how fiercely she’ll fight for them.

And when a dark secret is exposed, fighting is what the Elwood-Scaife-Atis will have to do to save the life of the last person Sophie ever thought she’d protect.

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HISTORICAL EROTIC ROMANCE

The cover of Surrender, with a woman's bare back draped in strands of pearls.

SURRENDER

Deaf since infancy and condemned to spinsterhood by her father’s will, Honoria has one last chance to experience the carnal passion she’s read about in scandalous novels. She enlists an unlikely man to be her companion for five days and nights of wicked pleasures and fulfilled fantasies, never dreaming that her desire could become something far more complicated.

Esau isn’t a man acquainted with the finer things in life. Common and proud, he’d rather work on the docks than bed a rich woman for money. But Honoria is unlike any woman he’s ever known, and the only one who’s ever stirred him to tenderness—something he never dreamed he could feel.

But another man has fallen in love with Honoria. Her interpreter, Jude, is torn between responsibility and the secret desire he harbors for her. Though he’s tormented by the knowledge that Honoria takes another man into her bed every night, Jude knows that his true feelings could destroy her happiness.

Faced with an impossible choice, Honoria won’t let her future be decided for her again. And despite their differences, both men must learn to share Honoria’s heart…or risk losing her completely.

CW: Contains audist language and discussion of child sexual abuse.

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CONTEMPORARY ROMANCE

The cover of Where We Land is yellow, with "Abigail Barnette" above the title and a little cartoon of a ginger dude in a hoodie and stocking cap playing guitar to a brown-haired white girl in a ringer tee and jeans. Pink hearts float between them.

WHERE WE LAND

For college drop-out Lauren Scott, Kalamazoo, Michigan, is the perfect place to lay low and avoid her politically mobile East coast family. Though working two jobs and counting every last penny is a thousand times harder than accepting checks from home, she can’t fulfill her parents’ conservative expectations without sacrificing her conscience.

For struggling singer-songwriter and full-time nurse assistant Daniel Ebbing, Kalamazoo is the place he wants to escape. Ever since the death of his mother, Daniel has regretted not returning to England with his father. Moving across an ocean costs far more than he anticipated, and his bank account is caught in a one step forward, two steps back dance.

Now, fate has made them the solution to each other’s problems. She needs a roommate. He needs a cheap place to live.

What could go wrong?

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CHOOSING YOU

For perpetual overachiever Madison Lane, a summer studying Arthurian mythology in the Welsh countryside with professor Thomas Evans is a dream come true, and the adventure of a lifetime.

Of course, the enormous crush Madison developed on the professor after a semester of his lectures at U of M has absolutely nothing to do with her desire to learn more about the enduring legend of Camelot. At least, that’s what she’s telling her parents.

When Madison meets local hottie Rhys Crewe, sparks fly, throwing her plans for a wild fling with Professor Evans completely out of whack—as do her unexpectedly complicated feelings for Thomas. With tales of Arthur and Lancelot haunting her every waking moment, Madison has to make the most difficult choice of her life.

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BAD BOY, GOOD MAN

Newly independent real-life adult Ellie McCormack loves everything about her first apartment…except her neighbor. His bi-weekly sex fests keep her up at night in more ways than one as she wonders about the man who’s making all the noise—and what he’s doing to make his women so damn loud.

But even her wildest fantasies couldn’t conjure up a man like Antony DeLuca. When she works up the nerve to confront him, she’s expecting a player, but there’s more to Antony than his carefree sexual escapades. One hot night with him helps Ellie see through the man who drives women wild, to the good guy beneath it all. A guy that she just might be able to fall for…

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HARD BALL DUOLOGY

Close-up portrait of muscular man posing with a bat under the title, "Long Relief" and the author's name, "Abigail Barnette."

LONG RELIEF (#1)

Billionaire entrepreneur Maggie Harper has lived and breathed baseball since birth. But being the coach’s daughter never prepared her for team ownership, and all the business savvy in the world can’t help her navigate the complications from a sizzling one-night stand with a player who definitely wants something more.

After pitching a disastrous game that cost the Bengals the championship pennant, veteran reliever Chris Thomas knows his days as a player are numbered. There are more important things to be worried about than the sexy new team owner, but Maggie’s hot-and-cold act is driving him to distraction. A woman has never come between him and the game before, but now he has to make a choice between his love of playing ball and his rapid fall for Maggie.

Caught between doing what’s right for the team and what’s right for them, Maggie and Chris have to decide what’s more important: a championship season, or a chance at love?

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A sexy, shirtless muscular guy holding a bat. The title "Double Header" appears over his chest and "Abigail Barnette" is printed on the bottom.

DOUBLE HEADER (#2)

When Javier Vargas was traded to the Grand Rapids Bengals, he didn’t just leave his team behind; he turned his back on the love of his life. Now, shortstop Zach Martin is playing for the Bengals, as well, and Javier can’t believe he ever walked away from the scorching heat between them.

Being a Bengal brings its own complications for Zach, who’s tired of never setting down roots. Playing beside Javier, Zach is constantly reminded of their passionate nights—and the pain of his loss.

Javier screwed up one chance with Zach, and he’s not about to let a second one pass him by. With scandals swirling all around the team, Javier has to decide whether to risk the life he’s built for himself or lose the only man he’s ever loved, again.

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BY THE NUMBERS SERIES

First Time Penny Cover

FIRST TIME (PENNY)

With the wounds from a bad breakup still healing, Penny Parker is reluctant to dive back into the dating scene. She’s especially wary of being set up with an older man, but Ian Pratchett wants the same future she’s after: family, stability, and true love.

Though all the signs point to Ian being The One, can the timing ever be right between two people born decades apart?

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First Time cover Ian

FIRST TIME (IAN)

Newly divorced and romantically pessimistic, Ian Pratchett doesn’t know why he’s been set up with Penny Parker. She’s unrelentingly positive, utterly superstitious, and sexually inexperienced—everything Ian is not.

But when sparks fly between them, Ian sees the possibility of a life he’d given up hoping for…with a woman he would never have expected.

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Second Chance kdp cover PENNY

SECOND CHANCE (PENNY)

Contains content some readers who are pregnant, trying to conceive, or suffering a pregnancy loss may wish to avoid.

After a passionate reunion, Penny Parker has a second chance with the love of her life, Ian Pratchett. But the problems that caused their breakup haven’t disappeared overnight. Nor have the objections of their friends and families. 

The thrill of a new beginning and an exhilarating secret bring Penny and Ian closer than ever, but when outside forces and personal disappointments threaten their fresh start, Penny must learn how to reach the guarded heart of the man she loves…before their happy ending drifts away. 

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Second Chance kdp cover IAN

SECOND CHANCE (IAN)

Contains content some readers who are pregnant, trying to conceive, or suffering a pregnancy loss may wish to avoid.

Reunited with his unrelentingly sunny soul mate, Penny Parker, Ian Pratchett finds her hopeless romanticism is catching. Her influence—and an unconventional pact—make him believe in happily ever after again, though they know their future won’t be free from hurdles. 

But in the face of unpredictable changes, Penny’s bubbly optimism fades. As the woman he fell in love with slips away, Ian realizes he must share more of himself than ever before, or risk her happiness. And losing the love of his life is a mistake he won’t make twice.

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The cover of Baby Makes Three shows a picture of Nassau, Bahamas from the water, with boats and brightly colored homes near the shore. There is a white bar across the middle of the cover with the title, and a green bar with Internationally Bestselling Author Abigail Barnette on it. Below that, the image of a couple's feet and a baby's diapered bottom and little feet between them.

BABY MAKES THREE (PENNY)

With a supportive spouse who adores her and a fresh start toward the career of her dreams, there isn’t much else that Penny Parker-Pratchett wants…except for a baby.

When a second pregnancy brings Penny and her husband, Ian, the surprise of a lifetime, it seems that his vision of domestic bliss isn’t quite what she’d thought it would be. With motherhood closer than ever before, Penny must contend not only with doubts about her maternal instincts but also with the reality that sometimes life doesn’t always go as planned…

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The cover of Baby Makes Three shows a picture of Nassau, Bahamas from the water, with boats and brightly colored homes near the shore. There is a white bar across the middle of the cover with the title, and a green bar with Internationally Bestselling Author Abigail Barnette on it. Below that, the image of a couple's feet and a baby's diapered bottom and little feet between them.

BABY MAKES THREE (IAN)

Married to the love of his life, owning a successful architecture firm, and living in a tropical paradise, Ian Pratchett knows he’s achieved a dream most people would envy. But one goal remains painfully out of reach—fatherhood.

When Ian and his wife, Penny, are finally blessed with a second chance at parenthood, the pain of past losses haunts him. And when their blessing turns out to be more than they bargained for, Ian must let go of the fears that have driven him to success, or risk disappointing the one woman he swore he would never let down again.

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PARANORMAL/SCI-FI ROMANCE AND URBAN FANTASY

The Cover for Taken By The ALpha King by Abigail Barnette. A blonde white woman in an evening gown and tiara stands in front of a shirtless white man with dark hair. In the background, a wolf howls at the moon.

TAKEN BY THE ALPHA KING

He’ll never stop fighting to keep his throne…and her.

Bailey has a huge decision to make. Born into a family of werewolves, she has yet to officially take part in the mating ritual that will fully transform her. Before marrying her fiancé, Ashton, she invoked the Right of Accord, allowing her five years to live amongst humans before officially committing to her new life. Her powerful family does not approve of her decision, and now she’s back…and still has doubts about Ashton.

When the hot new pack King Nathan Frost asks her to dance at the Fealty Ball, it enrages her fiancé, but also sparks a newfound lust in Bailey. Nathan is strictly off-limits. Not only is he the King, but he’s much older. Not to mention the fact that Bailey is engaged…

As rumors swirl, Bailey and Nathan pursue one another behind closed doors, and their passion is hot. But with the mating rite just around the corner, Bailey will be forced to make the biggest choice of her life. Will she mate with her fiancé, Ashton, or her forbidden King, Nathan?

Available on the Radish fiction app

The cover of Awakening Delilah features a beautiful, dark-skinned Black woman in profile, in front of a misty background of a pine forest. There is a ghostly image of a doe standing over her shoulder and the logo for the Northern Circle series in the bottom right corner.

AWAKENING DELILAH

When Delilah Lewis moved from Boston to Gwinn Close, a sanctuary for shifters in Michigan’s Upper Peninsula, she knew there would be an adjustment period. She just never thought getting shot at by poachers would be a part of that adjustment. When two sexy shifters come to her rescue, things get even more complicated. Delilah is a good girl, with a good-girl upbringing, and both men make her want to be very bad…

Miguel and Darius are in a committed relationship, but once they meet Delilah, they want more. While Delilah wonders if Gwinn Close is right for her, Miguel and Darius do everything they can to convince her to stay. But secrets from their past threaten a future with the woman they both crave. And while she struggles to let go of her boring former life, both men work to bring out the wild animal in her…

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THE PIRATE, THE BRIDE, AND THE JEWEL OF THE SKIES

Jilted bride Lady Catherine Stelling would have never considered running away with a rogue, but that was before notorious pirate Christopher Valentine set his sights on her faithless fiance’s prized airship.

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CANIS CLAN DUOLOGY

A woman in a medieval dress that is probably NOT the correct time period, with the words "Bride Of The Wolf" in a big, medievalish font.

BRIDE OF THE WOLF (#1)

Betrothed to the heir of Lord Canis, Aurelia finds herself thrown to the wolves. The Canis
Clan are no ordinary warriors, but beasts raging beneath the skin of men. Their name chills the heart of every man in Britannia, though the heart of one maiden may be saved…


Once a mighty warrior in high esteem among the Clan, Sir Raf Canis knows all too well the dangers Aurelia will face in her new role as Lady of Blackens Gate. Tasked with the humiliating errand of delivering his brother’s intended, Raf instead finds himself fighting for her life–and falling into an impossible love that he cannot deny.

Content Warning: This book contains ableist language and attitudes in the context of its historical setting, as well as mentions of suicide, which may be triggering or upsetting to some readers.

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A dark-haired knight, half in shadow, holding a sword in front of him.

WOLF’S HONOR (#2)

A low-born half-human, Henry Barley has fought all his life to find his place. Though he lives and fights alongside them, the wolves of the Canis Clan won’t let him forget the shameful circumstances of his birth—circumstances he would never wish on another wolf. As violence and unrest grows within the castle walls, Henry fears for the life of one woman—and the half-wolf child she bears.

As a prisoner of Lord Canis, Ursula has known only violence at the hands of the monsters she is forced to serve. The child she carries is a death sentence, and the only way to escape her fate is to place her life in the hands of a wolf…

Content Warning: Contains depiction of pregnancy by rape

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ALL STEAMED UP SERIES

A shirtless man with his forearms in front of his face. there's a tattoo of an ace of spades on his forearm. The title INFERNAL DEVICES is at the top of the image, at the bottom a frame of gears surrounds the text "Jennifer Morningstar"

INFERNAL DEVICES (#1)

The Two Aces. Victorian London’s most salacious secret, the club is a place where erotic fantasies are played out among clockwork automatons and aether-powered machines. Where nothing is off-limits and the pleasures are as wicked as the imagination will allow…

Permilia Deering goes to The Two Aces looking for the sexual excitement that she knows she will not find with the man to whom she is affianced, notorious cold-fish Wallace Sterling. On her first visit to the club, she meets the Ace of Spades, a masked stranger who drives her to heights of passion she’s never dreamed possible—and makes her seriously reconsider becoming a mannerly society wife.

When Wallace Sterling first glimpses his fiancée standing outside The Two Aces, he assumes she’s uncovered his secret identity—the Ace of Spades. But Permilia has no idea that her intended is living a double life, and Wallace worries that he’ll be out of the picture once she gets a taste of what the Ace of Spades can offer her…

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muscular man with his face in shadow. tattoo of the ace of hearts on his bicep. At the top, the title BOUND IN BRASS. At the bottom, in a frame of gears, is the author name, Jennifer Morningstar

BOUND IN BRASS (#2)

The Two Aces. Victorian London’s most salacious secret, the club is a place where erotic fantasies are played out among clockwork automatons and aether-powered machines. Where nothing is off-limits and the pleasures are as wicked as the imagination will allow…

Tallulah Applewhite is an American widow abroad, finding all the pleasures Europe has to offer. She gets more than she bargained for when she ventures into The Two Aces and meets the man known as the Ace of Hearts. Their sexual encounters push her to the very limits of desire, and together they find just what her unhappy marriage was missing.

Horace Sterling has never wanted anything that he couldn’t have, but he’s surprised at how much he wants this fresh Georgia Peach. Uninhibited and alluring, she enflames his passion like no other. The only thing more scandalous than taking up with a widow who should be in mourning would be taking up with a married woman—and both he and Tallulah are in for the shock of their lives…

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 PARANORMAL YOUNG ADULT

The cover of Nightmare Born: A young white woman with curly red hair and wearing ripped jeans and a leather jacket stands in a faded-purple, mist-shrouded forest. The text reads: USA Today Bestselling Author of the Blood Ties series Jenny Trout," at the top and "Nightmare Born" at the bottom.

NIGHTMARE BORN

Conceived in dream. Born a nightmare.

There are a lot of things I know: story structure, Hollywood trivia, what makes a director great… It’s the stuff I didn’t know–who my real father was, that my uncle is a demon, the fact that I’m not human–that’s gotten me into so much trouble.

After ripping my crush’s heart out–literally–I discover that I’m not just a normal autistic seventeen-year-old. I’m the daughter of the King of Nightmares, the cruel and excessively goth ruler of the Nether. Now, I’m stuck at Miss Perkins’s School for Girls, learning how to exist in a world where things really do go bump in the night.

Dangerous magic, treacherous enemies, unfairly hot vampires, and magic schools are all tropes I love in movies. But throw them into my real life? Hard pass. And I still have to deal with queen bees and bullies while unraveling a conspiracy that could crumble the very foundations of reality as we know it? That’s bullsh–

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such sweet sorrow

SUCH SWEET SORROW

Never was there a tale of more woe than this of Juliet and her Romeo…

But true love never dies. Though they’re parted by the veil between the world of mortals and the land of the dead, Romeo believes he can restore Juliet to life, but he’ll have to travel to the underworld with a thoroughly infuriating guide.

Hamlet, Prince of Denmark, may not have inherited his father’s crown, but the murdered king left his son a much more important responsibility—a portal to the Afterjord, where the souls of the dead reside. When the determined Romeo asks for help traversing the treacherous Afterjord, Hamlet sees an opportunity for adventure and the chance to avenge his father’s death.

In an underworld filled with leviathan monsters, ghoulish shades, fire giants, and fierce Valkyrie warriors, Hamlet and Romeo must battle their way through jealousy, despair, and their darkest fears to rescue the fair damsel. Yet finding Juliet is only the beginning, and the Afterjord doesn’t surrender souls without a price…

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